The North American box office has a new leader, with Street Fighter delivering a powerful opening-day performance and positioning itself for a strong debut weekend. The action movie, based on Capcom’s internationally popular video game franchise, collected an estimated $13 million from 3,575 theaters on Friday, putting it on course for approximately $31 million by Sunday.
However, the weekend’s box-office story is not limited to martial arts action. A24’s documentary You Can See Everything, centered on Theranos founder Elizabeth Holmes, has also attracted considerable attention. The film earned an estimated $5.54 million from just 855 theaters on Friday, placing it in second position and exceeding initial expectations for its opening weekend.
Meanwhile, Focus Features’ latest adaptation of Jane Austen’s Sense and Sensibility secured third place, followed closely by Disney’s survival thriller Whalefall. Universal’s supernatural horror film Other Mommy rounded out the top five.
With several new releases competing for audiences, the weekend offers an interesting mix of established intellectual property, literary adaptations, unusual documentary storytelling, survival suspense and supernatural horror.
The early figures suggest that Street Fighter is benefiting from the appeal of a recognizable gaming franchise, while You Can See Everything is generating unexpected momentum through its unconventional subject and distinctive creative approach.
1. Street Fighter Punches Its Way to the Top
Street Fighter claimed first place at the North American box office after earning approximately $13 million on Friday from 3,575 theaters.
The action film is projected to finish its opening weekend with around $31 million, according to the estimates supplied. If that forecast holds, it will establish a solid opening for the latest live-action adaptation of Capcom’s long-running fighting-game series.
Directed by Kitao Sakurai, the film stars Noah Centineo and Andrew Koji as two estranged fighters living in the 1990s. Their paths cross again when they are recruited to participate in a tournament that ultimately forces them to confront each other.
The premise combines martial arts action, personal rivalry and the competitive structure that has made the original games recognizable to generations of players.
The Street Fighter franchise has been a major name in fighting games since its early years. Its characters, signature moves and tournament-based conflicts have helped establish it as one of the best-known properties in the genre.
Translating that experience to live-action cinema, however, has historically presented challenges. A successful adaptation must appeal to longtime fans while giving newcomers enough character development and narrative context to enjoy the story.
The latest film is the franchise’s third major live-action movie attempt. The first, released in 1994 and starring Jean-Claude Van Damme, became a commercial success, earning approximately $100 million worldwide without adjusting for inflation.
The subsequent film, Street Fighter: The Legend of Chun-Li, arrived in 2009 but struggled at the box office. It reportedly earned just $12.8 million against a production budget of approximately $50 million.
That disappointing performance demonstrated the risks involved in adapting a popular video-game property without successfully connecting with its audience.
The new film therefore arrives with both an opportunity and a challenge. Its opening performance suggests that audiences are willing to give the franchise another chance, but its longer-term success will depend on audience reactions, word of mouth and its ability to maintain momentum beyond opening weekend.
For now, Street Fighter has delivered the strongest start among the new releases discussed in this weekend’s box-office report.
2. You Can See Everything Delivers a Surprise Second-Place Finish
While Street Fighter dominated the rankings, You Can See Everything emerged as one of the weekend’s most surprising performers.
The A24 documentary earned an estimated $5.54 million on Friday from 855 North American theaters. Based on rival estimates, it is projected to collect approximately $12.45 million by Sunday.
That would put the film comfortably above its initial projected opening range of $7 million to $8 million.
Its reported opening is particularly notable because the documentary is playing in considerably fewer theaters than Street Fighter. The difference in theater counts highlights the strength of its early per-theater performance.
The film focuses on Elizabeth Holmes, the founder of Theranos, the blood-testing company that became the center of a major corporate fraud scandal.
Holmes became a prominent figure in the technology and business worlds after promoting the idea that Theranos could perform a wide range of medical tests using only small amounts of blood. The company attracted major investment and considerable attention before its technology and business claims came under intense scrutiny.
The resulting scandal became one of the most widely discussed corporate stories of its era, raising questions about startup culture, investor oversight, media coverage and the risks of placing excessive trust in charismatic business leaders.
You Can See Everything takes an unusual approach to Holmes’ story. Comedian Nathan Fielder and filmmaker Lance Oppenheim reportedly worked quietly on the documentary for more than three years.
The project offers a distinctive look at Holmes during the period leading up to the start of her 11-year prison sentence for defrauding investors.
Rather than presenting the story solely as a conventional retrospective, the documentary reportedly uses an unconventional style that has helped generate discussion around its subject.
The film’s opening performance indicates that the public remains interested in the Theranos scandal and the people involved in it. It also demonstrates how a documentary can attract theatrical audiences when it offers an unusual perspective on a widely recognized story.
According to the supplied figures, the film is expected to surpass the opening weekend of Melania, the documentary that earned approximately $7.1 million from 1,778 theaters. That earlier performance was described in the supplied report as the biggest opening for a non-music or concert documentary in more than a decade.
If You Can See Everything reaches its projected $12.45 million opening, it will deliver a particularly encouraging result for a documentary released on a comparatively limited number of screens.
3. Why Elizabeth Holmes Continues to Fascinate Audiences
The continued interest in Holmes reflects the lasting cultural impact of the Theranos scandal.
For years, Theranos was promoted as a company capable of transforming healthcare through innovative blood-testing technology. Holmes became associated with the promise that a major scientific breakthrough could make medical testing easier and more accessible.
However, the company’s claims eventually faced serious challenges, and the resulting revelations became a cautionary tale about corporate governance, technological hype and investor confidence.
The case also raised questions about the way ambitious entrepreneurs are portrayed in the media. Holmes was once celebrated as a visionary founder, but the public narrative changed dramatically as information about Theranos emerged.
That contrast between public image and underlying reality continues to provide material for documentaries, books, television programs and other forms of storytelling.
You Can See Everything enters an already crowded conversation, but its reported unconventional approach may help distinguish it from earlier accounts.
The involvement of Nathan Fielder, known for blending comedy, discomfort and carefully constructed real-world situations, also creates expectations that the documentary may not follow the familiar structure of a traditional corporate investigation.
Nevertheless, audiences should distinguish between a documentary’s creative presentation and the established facts of a legal case. A distinctive filmmaking style can shape how viewers experience a story, but it does not replace the need for accuracy and context.
The film’s early box-office performance suggests that its approach has attracted attention. Whether it can maintain its momentum in the following weeks will depend on audience reactions and how widely discussion of the documentary spreads.
4. Sense and Sensibility Takes Third Place
Focus Features’ Sense and Sensibility secured third place on Friday, collecting approximately $3.3 million from 2,545 North American theaters.
The film is projected to finish the weekend with around $6.7 million.
Directed by Georgia Oakley, the latest adaptation brings Jane Austen’s celebrated novel back to the big screen. The story follows sisters Elinor and Marianne Dashwood as they face romantic uncertainty, personal loss and financial challenges after circumstances force their family to leave its estate in Sussex.
Daisy Edgar-Jones and Esmé Creed-Miles portray the sisters in this new interpretation.
Austen’s novel has remained popular because it combines romance with sharp observations about social expectations, economic dependence and the limited choices available to women in its historical setting.
Elinor and Marianne respond differently to the challenges surrounding them. Elinor is generally more reserved and practical, while Marianne expresses her feelings more openly. Their contrasting personalities provide the story with much of its emotional tension.
The latest film also faces the challenge of following previous adaptations, particularly the acclaimed 1995 version starring Emma Thompson and Kate Winslet.
That earlier film was both a critical and commercial success, introducing the story to a broad audience and becoming one of the best-known cinematic interpretations of Austen’s work.
Any new adaptation must find a way to make the material feel relevant while respecting the original novel’s central themes.
The current version has an opportunity to introduce the story to younger audiences through a new cast and contemporary filmmaking approach. Edgar-Jones, known for her work in dramatic roles, and Creed-Miles bring their own interpretations to the sisters.
The film’s opening-day performance places it behind Street Fighter and You Can See Everything, but its projected weekend total offers an initial indication of audience interest.
Its longer-term box-office prospects will depend on reviews, audience response and whether the film can attract viewers interested in period dramas and literary adaptations.
5. Whalefall Brings Survival Suspense to the Box Office
Disney’s Whalefall claimed fourth place after earning approximately $3 million from 2,065 North American theaters on Friday.
The survival thriller is projected to collect around $7 million over its opening weekend.
Directed by Brian Duffield, the movie follows a scuba diver played by Austin Abrams who becomes trapped inside a sperm whale. With only one hour of oxygen remaining in his tank, he must find a way to escape before time runs out.
The premise places the central character in an extraordinary survival situation. Instead of facing danger in a familiar wilderness setting, he must contend with an environment that is difficult to navigate, with limited resources and an increasingly urgent deadline.
The film’s central idea combines the physical tension of a survival story with the claustrophobia of being trapped in an enclosed space. The diver’s oxygen supply creates a clear countdown, giving the narrative an immediate source of suspense.
The unusual scenario may also appeal to viewers looking for a theatrical experience built around a high-concept premise.
Survival thrillers often depend on a combination of practical problem-solving, escalating obstacles and emotional stakes. In Whalefall, the protagonist’s chances of survival are tied to how effectively he can understand his surroundings and use the limited time available to him.
The film’s opening performance places it just behind Sense and Sensibility in the reported Friday rankings.
Its projected $7 million weekend would give the movie an initial theatrical platform, although its ultimate performance will depend on audience reactions and the extent to which its unusual premise attracts moviegoers.
For viewers who enjoy suspense-driven films, Whalefall offers a different kind of cinematic threat from the martial arts action of Street Fighter or the historical romance of Sense and Sensibility.
6. Other Mommy Rounds Out the Top Five
Universal’s supernatural horror film Other Mommy secured fifth place on Friday, earning approximately $2.5 million.
The movie is projected to bring in another $7.85 million by Sunday, taking its cumulative box-office total to approximately $44.35 million, according to the supplied figures.
Based on Josh Malerman’s 2024 novel Incidents Around the House, the film follows a young girl who encounters a disturbing paranormal presence that takes the appearance of her mother.
The entity begins haunting the family home, creating uncertainty about what the child is experiencing and whether the familiar figure she sees can be trusted.
Jessica Chastain plays Ursula, the girl’s real mother, as well as the terrifying entity known as the Other Mommy.
The double role provides an unsettling foundation for the story. A mother is ordinarily associated with protection, reassurance and familiarity, but the supernatural premise transforms that familiar relationship into a source of fear.
Horror stories involving doubles and impersonation often exploit the gap between appearance and identity. A figure may look completely familiar while behaving in ways that suggest something is deeply wrong.
That tension can be particularly effective when the story takes place inside a family home, a setting that would normally be expected to provide safety.
The adaptation also draws on Malerman’s reputation for psychological horror. His novel explores the frightening possibility that something unknown may be present in the most intimate spaces of everyday life.
Chastain’s involvement gives the film a prominent lead performer, while the supernatural premise offers opportunities for suspense and psychological tension.
With its reported cumulative total approaching $44.35 million, Other Mommy has established a presence in the theatrical market despite finishing fifth in the Friday rankings.
Its future performance will depend on how well it continues to attract horror fans and whether audiences recommend it to others seeking a supernatural thriller.
7. A Weekend Defined by Different Kinds of Storytelling
The latest box-office rankings reveal how audiences are being offered several distinct forms of entertainment at the same time.
Street Fighter leads with recognizable characters, martial arts action and the appeal of a major video-game franchise.
You Can See Everything demonstrates the theatrical potential of a documentary that approaches a familiar public controversy from an unusual angle.
Sense and Sensibility appeals to audiences interested in literary adaptations, romantic drama and period storytelling.
Whalefall delivers a high-concept survival thriller built around an extreme predicament, while Other Mommy uses supernatural horror and the fear of an unfamiliar presence hiding behind a familiar face.
This variety makes the weekend especially interesting because the films are not competing for precisely the same audience.
A viewer looking for action may choose Street Fighter, while someone interested in a real-world corporate scandal might prefer You Can See Everything. Fans of horror and suspense have two different options in Whalefall and Other Mommy, and literary audiences can turn to Sense and Sensibility.
The early results also demonstrate why opening-day rankings should not be treated as the final verdict on a movie’s commercial performance.
Friday earnings and weekend projections provide an initial snapshot, but a film’s overall prospects depend on several factors, including production and marketing costs, theater availability, audience reception, international earnings and how quickly ticket sales decline after opening.
For that reason, the coming days will be important in determining whether the leading films can sustain their initial momentum.
8. What to Watch in the Coming Box-Office Updates
Street Fighter has established itself as the weekend’s early leader, with its projected $31 million opening giving the action film a strong starting point.
The next major question is whether it can maintain audience interest beyond its first weekend. Strong opening numbers can provide a franchise with momentum, but continued success often depends on audience satisfaction and repeat interest.
You Can See Everything is another film worth watching closely. Its projected opening of $12.45 million would exceed initial expectations and demonstrate the potential for a documentary to attract substantial theatrical interest with a relatively limited theater count.
The performance of Sense and Sensibility will provide an early indication of demand for the latest Austen adaptation, while Whalefall will need to turn its unusual premise into sustained audience interest.
Meanwhile, Other Mommy enters the weekend with a reported cumulative total of approximately $44.35 million, making its continued performance an important part of the horror market’s overall picture.
As the final weekend figures become available, the rankings may change. Actual totals can differ from early estimates as theaters report their results.
For now, the weekend belongs to Street Fighter, but You Can See Everything has delivered one of the more notable surprises among the new releases.
Together, the films offer a snapshot of a theatrical market where established franchises, documentaries, literary adaptations, survival stories and horror can all compete for audience attention.