John Mulaney’s foray into the world of late-night television with his Netflix series Everybody’s In L.A. is not an attempt to reinvent the wheel or solve the streaming giant’s ongoing struggle to crack the late-night talk show formula. Instead, it’s a refreshingly odd, experimental, and deeply personal project that feels more like a passion experiment than a calculated bid for ratings dominance. And honestly, that’s exactly what makes it so compelling.
Late-night television has long been a staple of American entertainment, with its roots stretching back to the early days of broadcast TV. From Johnny Carson to David Letterman, the format has been defined by a familiar structure: a monologue, a desk, celebrity interviews, and a house band. But as the media landscape has shifted, so too has the late-night genre. Streaming platforms like Netflix have tried to reimagine the format for a new era, with mixed results. The problem isn’t that late-night doesn’t work on streaming—it’s that the traditional formula feels increasingly out of step with the way people consume content today.
Enter John Mulaney, a comedian known for his sharp wit, self-deprecating humor, and love of the absurd. With Everybody’s In L.A., Mulaney isn’t trying to replicate the late-night shows of yore or even compete with the likes of Jimmy Fallon or Stephen Colbert. Instead, he’s created something that feels entirely his own: a quirky, unpredictable, and often surreal exploration of Los Angeles, comedy, and the strange world we live in.
The show, which aired as a limited series, is less a traditional talk show and more a hybrid of stand-up, sketch comedy, and documentary. Each episode is loosely structured around a theme, with Mulaney serving as both host and guide. He interviews guests, but these conversations often veer into unexpected territory, blending humor with moments of genuine insight. The show also features field segments, where Mulaney ventures out into the city to explore its quirks and contradictions. From visiting a palm tree farm to interviewing local eccentrics, these segments capture the essence of Los Angeles in a way that feels both affectionate and absurd.
What sets Everybody’s In L.A. apart from other late-night attempts on streaming platforms is its willingness to embrace the weird. Mulaney isn’t afraid to take risks or let a joke fall flat. There’s a looseness to the show that feels intentional, as if Mulaney is inviting the audience to join him on a journey without knowing exactly where it will lead. This sense of spontaneity is a stark contrast to the polished, tightly scripted nature of most late-night shows, and it’s what makes Everybody’s In L.A. so refreshing.
One of the most striking aspects of the series is its visual style. Shot on location in and around Los Angeles, the show has a cinematic quality that sets it apart from the studio-bound confines of traditional late-night programs. The city itself becomes a character, with its sprawling highways, sun-drenched streets, and eclectic mix of residents providing a rich backdrop for Mulaney’s comedic explorations. The show’s aesthetic is further enhanced by its use of music, which ranges from jazzy interludes to unexpected pop hits, adding to the overall sense of unpredictability.
Of course, none of this would work without Mulaney’s unique comedic voice. Known for his clever wordplay and impeccable timing, Mulaney brings a sense of playfulness and curiosity to the show that is infectious. Whether he’s riffing on the absurdities of modern life or engaging in a deadpan conversation with a guest, his humor is always rooted in a deep appreciation for the absurd. At the same time, there’s a warmth to his comedy that makes even the most bizarre moments feel relatable.
The guests on Everybody’s In L.A. are another highlight of the series. Rather than relying on the usual roster of celebrities promoting their latest projects, Mulaney opts for a more eclectic mix of interviewees. From comedians and musicians to local characters and experts in obscure fields, the guests reflect the diversity and eccentricity of Los Angeles itself. These conversations often take unexpected turns, with Mulaney’s curiosity leading him down rabbit holes that are as entertaining as they are enlightening.
One of the most memorable episodes features Mulaney interviewing a group of seismologists about the science of earthquakes. What could have been a dry, technical discussion instead becomes a hilarious and surprisingly informative exploration of life in a city constantly on the brink of disaster. Another episode sees Mulaney visiting a psychic, resulting in a mix of skepticism and genuine fascination that perfectly encapsulates the show’s tone.
While Everybody’s In L.A. may not have the same mass appeal as more traditional late-night shows, that’s precisely what makes it so special. Mulaney isn’t trying to please everyone or fit into a pre-existing mold. Instead, he’s created a show that feels deeply personal and true to his comedic sensibilities. In doing so, he’s reminded us that late-night television doesn’t have to follow a set formula to be entertaining. Sometimes, all it takes is a unique perspective and a willingness to embrace the unexpected.
In a media landscape that often feels oversaturated with content, Everybody’s In L.A. stands out as a bold and original experiment. It’s a reminder that comedy doesn’t have to be predictable or safe to be effective. By taking risks and staying true to his vision, Mulaney has created a show that feels fresh, innovative, and deeply human. And in a world where so much of late-night television feels like it’s going through the motions, that’s something worth celebrating.
So, no, John Mulaney isn’t trying to solve Netflix’s late-night talk show problem. But in embracing the weird, the personal, and the unpredictable, he’s created something far more valuable: a show that feels like a breath of fresh air in a genre that desperately needs it. And for that, we can all be grateful.