When remaking a film, many people expect the new version to match or surpass the original. However, a remake only needs to offer a valid reason for its existence, such as a new style or context. Unfortunately, John Woo’s Peacock-exclusive remake of “The Killer” might only be watched because it’s the only version available on streaming, rather than for its quality. The original “The Killer,” also directed by Woo, is considered a masterpiece of action cinema, offering a morally complex tragedy and a saga of romantic and platonic love. In contrast, the remake stars Nathalie Emmanuel as an assassin working for a handler, with a storyline that lacks nuance and depth. Unlike the original, the new version fails to capture the complexities and emotional depths of the characters and the plot.
The original film “The Killer” was driven by its exploration of relationships, but the remake fails to capture this essential aspect. There is a lack of depth in the connections between the characters – Zee and Jenn do not develop a romantic relationship, nor do they form a strong bond. Similarly, Zee’s friendship with Sey lacks the depth and significance portrayed in the original film. Instead, the remake heavily emphasizes an intricate plot involving stolen heroin, a suspicious Saudi Arabian prince, a French mafioso, and corrupt cops. Zee is tasked with identifying and eliminating the true antagonists, with Sey eventually offering assistance, while Jenn’s role predominantly involves being present and eventually getting kidnapped. This shift in focus feels superficial.
Despite the potential for a fulfilling remake, the new Parisian setting fails to meaningfully connect with John Woo’s past influences, which were integral in the original film. While the setting effectively captures the essence of Woo’s stylish approach to criminality, the film seems reluctant to establish a strong link with his previous works. As a result, the change in location appears to contribute little overall.
One may hope for the return of John Woo’s distinctive action sequences in the remake, but “The Killer” falls short in this regard as well. The film does not push any boundaries, failing to deliver the groundbreaking action that Woo’s previous works are known for. Nevertheless, it is understandable given Woo’s immense impact on the action movie genre and the countless films that have drawn inspiration from his work. Consequently, even a remake directed by Woo himself struggles to bring a sense of novelty, feeling more like a replication of the original rather than a fresh interpretation.
The latest rendition of “The Killer” reflects director John Woo’s signature style of action sequences featuring motorcycles and explosive stunts. However, despite convincing performances by the lead actors, the choreography falls short of Woo’s previous work. The film lacks the emotional and stylistic impact of the classic action film it seeks to recreate, opting for contrivance over substance. Furthermore, its release alongside another remake, “The Crow,” detracts from its potential impact and originality. Ultimately, the new “The Killer” is deemed slightly more watchable but significantly less captivating than its predecessor.
